Longinus was a Hellenistic Jew, or at least an author familiar with Jewish culture, from the 1st century CE. He is most well known for his work On Sublimity. In this work, he argues that the best literature is sublime. Though difficult to identify in literature, he identifies five sources of sublimity: great thoughts, strong and inspired emotion, certain kinds of figures, noble diction, and dignified and elevated word-arrangement. Each of these points, he suggests, is a place where the audience of literature can come into contact with the sublime.
What, though, is the sublime? He comments: “When a man of a sense and literary experience hears something many times over, and it fails to dispose his mind to greatness or to leave him with more to reflect upon than was contained in the mere words, but comes instead to seem valueless on repeated inspection, this is not true sublimity; it endures only for the moment of hearing. Real sublimity contains much food for reflection, is difficult or rather impossible to resist, and makes a strong and ineffaceable impression on the memory” . As Jacqueline Vayntrub carefully describes in her volume Beyond Orality, this very notion of literature and poetry becomes a keys in describing and organizing biblical poetry during the modern period.
It is worth noting the underlying philosophical and theoretical principles which inform, support, and frame Longinus’ understanding of the sublime. His notion of the sublime is based on a broad generalization about humans, namely that humans have “in our minds from the start an irresistible desire for anything which is great and, in relation to ourselves, supernatural” . He proceeds by describing how people admire the large rivers, not the little streams. Likewise, people feel awe before volcanoes, not candles.
In pointing to this, I wish to make one observation: the way we describe the quality of literature and engage with it is often informed by the way we describe the quality of nature and engage with it. This is certainly the case with Longinus. Underlying his notion of sublimity is an assumption about how humans relate to nature.
 The Norton Anthology of Theory and Criticism, 148.
 The Norton Anthology of Theory and Criticism, 161.