Pseudepigrapha Saturday: Testament of Job

Introduction to the Text:

I posted about this book previously. So, here is my previous introduction:

The Testament of Job (henceforth TJob) is a tale about the life of Job. Unlike the book of Job in the LXX (Greek translation called the Septuagint) or MT (Masoretic Text also known as the Hebrew Bible), TJob recasts the story as Job telling his children about his life while he is on his deathbed. This stylistic choice influenced scholars to consider it to be a “testament” on four premises: a deathbed scene; celebration of virtues; moral exhortations; death, burial, and lamentation. TJob, though, modifies this testament genre by treating a character from wisdom literature rather than one from the Torah. According to R. P. Spittler, this indicates that TJob is more haggadic in nature than hortatory. Or, to put in simpler words, TJob is more interested presenting a narrative story than exhorting the audience. In this respect, TJob is more akin to 21st century novels than many other Pseudepigraphal testaments.

Written between the 1st century B.C.E. and C.E. in Egypt, it is “a valuable monument to the rich variety of hellenistic Jewish piety” (836). Of course, another large value of TJob is how it reflects cultural standards and societal expectations, and how it uses other biblical literature.

Last time I read TJob, I considered the cultural expectations present in the book. Today, I will consider one aspect of the anthropology of the Testament of Job, that is an aspect of the nature of man as present in the book.

Opening Act and Follow-Up:

In TJob, Job becomes afflicted because he obeys God’s command to destroy a temple of Satan. Regarding the idol temple, God says: “his is the power of the devil, by whom human nature is deceived” (TJob 3:3). The key, opening act is that “human nature is deceived”. It suggests rather explicitly that there is a clear human nature lacking ambiguity. In this case, pure human nature is oriented towards God. Anything which steps outside of it is an example of corruptness. Following, I will consider a few more example of what constitutes human nature in TJob.

Chapters 9-15 focus on the good works of Job’s household and those around him. Although nothing directly relates to human nature, such praise Job’s generosity, outreach, and kindness sets him as an exemplar of undisturbed human nature. Human nature is open towards neighbors and foreigners, offers support to the broken, and, regardless of the amount of good works, remains completely and wholly humble. TJob 15:6-9 considers the question of humility: “Possibly, my sons may have sinned before the Lord through boasting by saying with disdain, ‘We are sons of this rich man, and these goods are ours. Why then do we also serve?’ ” For pride is an abomination before God. And again, I offered up a select calf on the altar of God, lest my sons may have though evil things in their heart toward God” (TJob 15:6-9). Human nature is, thus, humble toward God and not prideful. Before considering what ties together these views of human nature, I will provide one more example.

In 25:9-10, Sitis, Job’s wife, encourages him to “speak some word against the Lord and die”. While her statement, and Job’s response in calling her a senseless woman, has garnered much discussion, the question prior to Job’s response should be emphasized. After providing reason for not cursing the Lord, he raises a question: “Do you not see the devil standing behind you and unsettling your reasoning so that he might deceive me too?” (TJob 26:6a). Yet again, the question of deceit arises. Recall that earlier TJob indicates deceit from the devil is a corruption of human nature. Furthermore, when we realize that in antiquity there was not so much distinction between action and thought as in modern times, it becomes evident that speech is just as much a part of human nature as is humility, for it comes from the same place. Therefore, human nature speaks praises of God rather than blasphemes.

What connects all of this information? At the core of each example is a deity focused world. Unlike the 21st century where the I seems not to have a Thou, solely You(s) – or more simply that modern views of human nature tend to lack relationship to a deity, and only focus on other people and self -, the TJob reflects a culture in which socio-religious praxis, or actualized beliefs, were integral to their conceptions of what constituted humans and, consequently, proper human nature. In this case, pure human nature is totally oriented towards God.

R. P. Spittler.”Testament of Job”. J. H. Charlesworth, editor. Old Testament Pseudepigrapha, volume I. Garden City, New York: Doubleday, 1983.

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Pseudepigrapha Saturday: The Testament of Job

Introduction to the Text:

The Testament of Job (henceforth TJob) is a tale about the life of Job. Unlike the book of Job in the LXX or MT, TJob recasts the story as Job telling his children about his life while he is on his deathbed. This stylistic choice influenced scholars to consider it to be a “testament” on four premises: a deathbed scene; celebration of virtues; moral exhortations; death, burial, and lamentation. TJob, though, modifies this testament genre by treating a character from wisdom literature rather than one from the Torah. According to R. P. Spittler, this indicates that TJob is more haggadic in nature than hortatory. Or, to put in simpler words, TJob is more interested presenting a narrative story than exhorting the audience. In this respect, TJob is more akin to 21st century novels than many other Pseudepigraphal testaments.

Having been written between the 1st century B.C.E. and C.E. in Egypt, it is “a valuable monument to the rich variety of hellenistic Jewish piety” (836). Of course, another large value of TJob is how it reflects cultural standards and societal expectations, and how it uses other biblical literature. Today I will primarily focus on an example of how TJob presents Satan, disguised as a bread seller, using biblical traditions and cultural traditions of mourning.

Reflections of Cultural Expectations in the Testament of Job

TJob reflects cultural expectation quite clearly, along with making implicit references to the Hebrew Bible. Take, for example, chapter 23. In chapter 23, Sitis, Job’s wife, sells her hair to Satan in order to buy bread for herself and her husband. Beyond the fact that Sitis is deceived, for she only receives three loaves of bread in exchange for her hair and the ability “to live for three more days” (23.7bβ), the text further mentions her shame. When recounting her experience, Sitis says that “[Satan disguised as a bread seller] arose and cut [her] hair disgracefully in the market, while the crowd stood by and marveled” (24.10, brackets added for context and italics added for emphasis). The cost for bread is shame; yet, this doesn’t take into account the full context of TJob. In 4.4, God tells Job that Satan will rise up with wrath for battle against Job in response to Job’s destruction of an idolatrous shrine. Because the actions of Satan must be read in context of battle, the cutting of Sitis’ hair becomes an implicit reference to Deuteronomy 21:10-14.

In Deuteronomy 21:10-14, part of the stipulations for those who take captive foreign woman in war and desire to marry them must “have her shave her head, trim her nails and put aside the clothes she was wearing when capture” (Deuteronomy 21:12b-13a). This was considered a sign of mourning. Likewise, in the 1st centuries woman cutting off their hair in mourning is accounted for. [1] In the case of TJob, there is one major difference: Satan cuts the hair of Sitis in battle, not Sitis herself as mourning calls for. This sort of act not only explicitly shames Sitis but seemingly mocks the situation of Sitis.

I am reminded of Richard of York who, in Shakespeare’s  history plays and in a recent production I saw, is crowned with a rag soaked in the blood of his son Edmund. In essence, the Queen and Clifford command Richard of York to mourn; however, just like in TJob, it is not true mourning, but a bastardized symbol of “mourning” appropriated as a tactic and rhetoric for shaming.

Sitis’ account is intriguing because it presents a unique view of “mourning”. It demonstrates how good practices like mourning are utilized by opposition, or the Other, as tools for shaming. This appropriation of mourning for darker purposes, if you will, is not restricted solely to TJob. In fact, it is an approach to battle used through time and space, whether in biblical literature or Shakespeare.

 

[1] In his analysis on the discourse of First Corinthians, Ralph Bruce Terry writes the following: “It is also worthy of note that Greek women seem to have cut off their hair in times of mourning. Plutarch, in the context of discussing mourning at funerals, says, “So in Greece, whenever any misfortune comes, the women cut off their hair and the men let it grow . . .” (Moralia, The Roman Questions 14). This would be similar to the Jewish custom of shaving the head as a symbol of grief or mourning (cf. Deut. 21:12-13; Is. 7:20; 15:2; 22:12; Jer. 16:6; Mic. 1:16; and Josephus Antiquities iv.8.23 [§257]).” Available online: http://web.ovu.edu/terry/dissertation/2_4-aspects.htm.

 

Bibliography:

R. P. Spittler.”Testament of Job”. J. H. Charlesworth, editor. Old Testament Pseudepigrapha, volume I. Garden City, New York: Doubleday, 1983.

Ralph Bruce Terry. “An Analysis of Certain Features of Discourse in the New Testament Book of 1 Corinthians”. Available online: http://web.ovu.edu/terry/dissertation/index.htm